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ÇöÀçÀ§Ä¡ : Home > µµ¼»óÇ°¼Ò°³ > ÇÇ¾Æ³ë ±³º»
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¹ÌÅ©·ÎÄÚ½º¸ð½º »ó
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µµ¼ÄÚµå
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10331811
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ÃʱÞ
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Æí/ ÀúÀÚ
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º§¶ó ¹Ù¸£ÅäÅ© Àú¤ýÆíÁý±¹ Æí
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ÆÇÇü/ ¸é¼ö
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±¹¹èÆÇ / 160¸é
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°¡°Ý
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7,000¿ø
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Çë°¡¸® ÃÖ°íÀÇ ÀÛ°î°¡ º§¶ó ¹Ù¸£ÅäÅ©°¡ ÀÛ°îÇÑ 'Çö´ë ÇǾƳë À½¾ÇÀÇ ÀÔ¹®¼'±³º»ÀÌ´Ù.
»ó±ÇÀº Vol. I~IV·Î ÃʤýÁß±Þ°úÁ¤ÀÌ´Ù.
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| | | Vol. I
1~6. Unison Melody À¯´ÏÁð ¸á·Îµð
7. dotted Notes/ Á¡À½Ç¥
8. Repetition/ ¹Ýº¹
9. Syncopation / ´ç±èÀ½
10. With Alternate Hands/ ¾ç¼Õ ¿¬½À
11. Parallel Motion/ °°ÀÌ°¡±â
12. Reflection/ ¹Ý»ç
13. Change of Position/ Æ÷Áö¼ÇÀÇ À̵¿
14. Question and Answer/ ¹®´ä
15. Village Song/ ¸¶À» ³ë·¡
16. Parallel Motion and Change of Position/ °°ÀÌ°¡±â¿Í Æ÷Áö¼ÇÀÇ À̵¿
17. Contrary Motion/ °¥·Á°¡±â
18~21. Unison Melody/ À¯´ÏÁð ¸á·Îµð
22. Imitation and Counterpoint/ ¸ð¹æ°ú ´ëÀ§¹ý
23. Imitation and Inversion/ ¸ð¹æ°ú ÀÚ¸®¹Ù²Þ
24. Pastorale/ ¸ñ°¡
25. Imitation and Inversion/ ¸ð¹æ°ú ÀÚ¸®¹Ù²Þ
26. Repetition/ ¹Ýº¹
27. Syncopation/ ´ç±èÀ½
28. Canon at the Octave/ ¿ÁŸºê Ä«³í
29. Imitation Reflected/ ¿ªÇà ¸ð¹æ
30. Canon at the Lower Fifth/ 5µµ ³·Àº Ä«³í
31. Little Danse in Canon Form/ Ä«³í Çü½ÄÀÇ ÀÛÀº Ãã°î
32. In Dorian Mode/ µµ¸®¾Æ ¼±¹ý
33. Slow Danse/ ´À¸° Ãã°î
34. In Phrygian Mode/ ÇÁ¸®Áö¾Æ ¼±¹ý
35. Chorale/ ¼º°¡
36. Free Canon/ ÀÚÀ¯·Î¿î Ä«³í
Vol. II
37. In Lydian Mode/ ¸®µð¾Æ ¼±¹ý
38~39. Staccato and Legato/ ½ºÅ¸Ä«Åä¿Í ·¹°¡Åä
40. In Yugoslav Mode/ À¯°í½½¶óºñ¾Æ ¼±¹ý
41. Melody with Accompaniment/ ¹ÝÁÖ°¡ µþ¸° °¡¶ô
42. Accompaniment in Broken Triads/ ÇÊħ 3ÈÀ½ ÁÖ¹ý
43. In Hungarian Style/ ¸®µð¾Æ ¼±¹ý
44. Contrary Motion/ °¥·Á°¡±â
45. Meditation/ ¸í»ó
46. Increasing-Diminishing/ Á¡Á¡ ¼¼°Ô-Á¡Á¡ ¿©¸®°Ô
47. big Fair/ Å« ½ÃÀå
48. In Mixolydian Mode/ ¹Í¼Ö¸®µð¾Æ ¼±¹ý
49. Crescendo-Diminuendo/ Á¡Á¡ ¼¼°Ô-Á¡Á¡ ¿©¸®°Ô
50. Minuetto/ ¹Ì´º¿¡Æ®
51. Waves/ Æĵµ
52. Unision Divided/ ºÐÇÒ À¯´ÏÁð
53. In transylvanian Style/ Æ®¶õ½Ç¹Ù´Ï¾Æ dz
54. Chromatic/ ¹ÝÀ½°è
55. Triplets in Lydian Mode/ ¸®µð¾Æ ¼±¹ý¿¡¼ÀÇ ¼ÂÀÕ´ÜÀ½Ç¥
56. Melody in Tenths/ 10µµÀÇ °¡¶ô
57. Accents/ ¾Ç¼¾Æ®
58. In Oriental Style/ µ¿¾çdz
59. Major and Minor/ ÀåÁ¶¿Í ´ÜÁ¶
60. Canon with Sustained Notes/ Áö¼ÓÀ½¿¡¼ÀÇ Ä«³í
61. Pentatonic Melody/ 5À½ À½°è °¡¶ô
62. Minor Sixths in Parallel Motion/ °°ÀÌ°¡±â¿¡¼ÀÇ ´Ü6µµ
63.Buzzing/ ¿Üħ
64. Line and Point/ ¼±°ú Á¡
65. Dialogue/ ´ëÈ
66. Melody Divided/ ºÐÇÒµÈ °¡¶ô
Vol. III
67. Third against a single/ 3µµ °ãÀ½¿¡ ´ëÇÑ ´Ü¼ººÎ
68. Hungarian Dance / Çë°¡¸® Ãã°î
69. Chord Study/ ÈÀ½ ¿¬½À
70. Melody against Double Notes/ °¡¶ô¿¡ ´ëÇÑ °ãÀ½ ÁøÇà
71. Thirds/ 3µµ À½Á¤
72. Dragons' Dance/ ¿ëÀÇ Ãã
73. Sixths and Triads/ 6µµ À½Á¤°ú 3ÈÀ½
74. Hungarian Song/ Çë°¡¸® ³ë·¡
75. Triplets/ ¼ÂÀÕ´ÜÀ½Ç¥
76. In Three Parts/ 3¼ººÎ
77. Little Study/ ÀÛÀº ¿¬½À°î
78. Five-tone Scale/ 5À½ À½°è
79~80. Hommage a J.S.Bach/ ¹ÙÈå¿¡°Ô ¹Ùħ
81. Wandering/ ¹æ¶û
82. Scherzo/ ½ºÄɸ£ÃÊ
83. Melody with Interruptions/ Áß´ÜµÈ °¡¶ô
84. Merriment/ ȯÈñ
85. Broken Chords/ Æîħ ÈÀ½
86. Two Major Pentacords/ µÎ ÀåÁ¶ÀÇ ÆæŸÄÚµå
87. Variation/ º¯ÁÖ°î
88. Duets for Popes/ ÇǸ®¸¦ À§ÇÑ 2ÁßÁÖ
89. In Four Parts/ 4¼ººÎ
90. In Russian Style/ ·¯½Ã¾Æ dz
91~92. Chromatic Invention/ ¹ÝÀ½°èÀû Àκ¥¼Ç
93. In Four Parts/ 4¼ººÎ
94. Tale/ À̾߱â
95. Song of the Fox/ ¿©¿ìÀÇ ³ë·¡
96. Stumblings/ ÇèÇÑ ±æ
Vol. IV
97. Notturno/ ³ìÅÏ
98. Thumb under/ ¾öÁö ¼Õ°¡¶ô ³¢¾îµé±â
99. Crossed Hands/ ¾ç¼Õ ±³Â÷
100. In the Style of a Folk Song/ ¹Î¿ädz
101. Diminished Fifth/ °¨5µµ
102. Harmonics/ ¹èÀ½
103. Minor and Major/ ´ÜÁ¶¿Í ÀåÁ¶
104. Through the Keys/ Á¶ ¿¬½À
105. Playsong/ ¼ÒÇ°(µÎ 5À½ À½°è¿¡ ÀÇÇÑ)
106. Children's Song/ ¾î¸°À̸¦ À§ÇÑ ³ë·¡
107. Melody in the Mist/ ¾È°³ ¼ÓÀÇ ¸á·Îµð
108. Wrestling/ ¾¾¸§
109. Form the Island of Bali/ ¹ß¸®¼¶¿¡¼
110. Clashing Sounds/ Ãæµ¹À½
111. Intermezzo/ °£ÁÖ°î
112. Variation on a Folk Tune/ ¹Î¿äÁ¶ÀÇ º¯ÁÖ°î
113. Bulgarian Rhythm/ ºÒ°¡¸®¾ÆÀÇ ¸®µë
114. Theme and Inversion/ ÁÖÁ¦¿Í ÀÚ¸®¹Ù²Þ
115. Bulgarian Rhythm/ ºÒ°¡¸®¾ÆÀÇ ¸®µë
116. Melody/ ¸á·Îµð
117. Bourree/ ºÎ·¹(Ãã°î)
118. Triplets in 9/8 Time/ 8/9¹ÚÀÚÀÇ ¼ÂÀÕ´ÜÀ½Ç¥
119. Dance in 3/4 Time/ 3/4¹ÚÀÚÀÇ Ãã°î
120. Fifth, Chords/ 5µµ ÈÀ½
121. Two-Part Study/ 2¼ººÎ ¿¬½À |
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